Jon Gomm, a singer-songwriter from the UK with incredibly virtuosic guitar ability, wrote his first song at the age of six and has never looked back. After taking the world by storm with his performance video of his song ‘Passionflower', which went viral in 2012 and catapulted Jon to the forefront of the acoustic fingerstyle movement, Jon has toured the world and has cultivated a dedicated and supportive fanbase. Jon's guitar playing style is highly technical, unique and, most importantly, incredibly musical, acting as the perfect accompaniment for his soulful and melodic vocal delivery. When listening to Jon's music, it is hard to believe that all of the sounds are being created by only Jon and his guitar. Jon is able to create the sound of a full band in real time with his guitar, which provides the perfect soundscapes for his songs. Together with Ibanez, Jon has designed the perfect guitar for him, and is very excited to make it available to everyone.
Platinum Collection
Platinum is inherently rare, objectively valuable, and unequivocally striking in appearance. These qualities are sought after in many things, including the world of luthiery and instrument building. To this end, we strived to create something entirely new, a series of
instruments imbued with old-world, hand-built, and rarified qualities. This is a line of acoustic guitars unlike any we've produced before; The Ibanez Platinum Series. Utilizing the highest-quality woods and crafted with uncompromising attention to detail, these instruments represent the highest pinnacle of design and tone for Ibanez Acoustic Guitars.
JGM10 features:
5pc African Mahogany/Pau Ferro neck
The African Mahogany and Pau Ferro 5pc neck has enough durability for alternative and open tunings.
Macassar Ebony fretboard
Macassar Ebony fretboard provides tuning stability and contributes to smooth fingering. It also contributes to articulate tone and an attractive visual profile.
Jumbo Stainless Steel frets
Stainless steel frets boast excellent corrosion resistance. The wide and tall fret-type offers a quick response, good articulation when playing chords and clear tone when playing single notes.
Thermo Aged™ Solid Sitka Spruce top & Thermo Aged™ bracing
Through a special drying process at high temperatures, Thermo Aged™ tone wood becomes light, hard, and stable, approximating the tonal characteristics of wood that has dried for decades, while providing amazing response and a louder sound.
Fishman® Rare Earth Mic Blend Active Soundholepickup, Tap pickup
The combination of Fishman Rare Earth Mic Blend Active Soundhole pickup and Tap pickup offers a warmer, more natural acoustic tone with clarity of sounds.
PowerTapEarth Blend
Blending Rare Earth Mic Blend Active Soundhole pickup with Tap pickup, Fishman PowerTap Earth Blend system allow the guitar to capture the string vibration through the whole body and neck, which provides rich acoustic tone and a dynamic percussive sound from the body and neck.
Macassar Ebony top loading bridge
For better percussive sound from bridge, Macassar Ebony bridge features top loading system without bridgepin. It also offers a fast and easy method for string changes.
Luminlayside dots
Luminlay side dots provide clear visibility in dark environments.
Spec:
• Asymmetrical Jumbo body.
• Thermo Aged™ Solid Sitka Spruce top.
• Solid Pau Ferro back & sides.
• Thermo Aged™ Spruce Modified X-M Bracing.
• African Mahogany/Pau Ferro 5pc neck neck (satin finish).
• Maccassar Ebony Fretboard.
• Macassar Ebony top loading bridge.
• Chrome Die-cast tuners(18:1 gear ratio).
• Bone nut.
• Compensated Bone saddle.
• Tuning: 1D,2A,3G,4D,5G,6C.
• Fishman® Rare Earth Mic Blend Active Soundhole pickup,Tap pickup.
• Fishman® PowerTap Earth Blend Preamp.
• Dual Outputs (2 endpin jacks
- 1 stereo/mono output capability built in (with strap button)
- 1 Mono Flush mount.
• Luminlay side dots.
• Fiberglass case included.
Halsen:
• Skala: 655mm/25.8''.
• Bredd vid sadel: 45mm.
• Bredd vid 14 band: 60mm.
• Tjocklek vid första band: 20,5mm.
• Tjocklek vid 7:e band: 22mm.
• Radius 400mmR.
