Varukorg

Filters

Personal menu

Inställningar

Sök

FöregåendeRME Fireface UCX II

NästaTascam US-2x2HR High Resolu...

Tillverkare:

RME Fireface UFX III

27.590,00 kr

188-kanals, 24-bitars/192 kHz avancerat USB 3-audio interface

Oöverträffad flexibilitet i anslutning och expansion – Analog, ADAT, MADI, AES, SPDIF, USB 2 & USB 3
Fireface UFX III är hjärtat för alla multitrack-studior, som med enkelhet hanterar upp till 94 kanalers I/O. Dess oöverträffade flexibilitet och kompatibilitet med inkluderandet av DURec (Direct USB Recording) och RME:s berömda låga latency och stabila drivers garanterar felfri drift i alla lägen och applikationer.

Fullpackad med professionella funktioner, som SteadyClock FS, MADI I/O (64 kanaler), en kraftfull DSP, USB 3.0 (fullständig 94-kanals I/O-klasskompatibel), TotalMix FX, direkt USB-inspelning och stöd för avancerad fjärrkontroll via USB (säljs separat).

Fireface UFX III är proffsens föredragna verktyg för multitrack- inspelning, mixning och mastering.

Läs mer

Artikelnr: 413134

Antal:

Skickas inom: Kontakta oss för leveranstid

Beskrivning
Specifikationer
Kontakta oss

Analog

AD, Line In 1-8, rear

Input: 6.3 mm TRS, electronically balanced
Signal to Noise ratio (SNR) @ LoGain: 116 dB (AES17), 118 dBA
Signal to Noise ratio (SNR) @ +4 dBu: 115 dB (AES17), 117 dBA
Frequency response @ 44.1 kHz, -0.1 dB: 8.9 Hz – 20.4 kHz
Frequency response @ 96 kHz, -0.5 dB: 4.3 Hz – 45.2 kHz
Frequency response @ 192 kHz, -1 dB: 3 Hz – 89 kHz
Filter: Short Delay Sharp, 5 / 5 / 6 samples delay
THD @ -1 dBFS: < -120 dB, < 0.0001 %
THD+N @ -1 dBFS: < -110 dB, < 0.00032 %
Channel separation: > 110 dB
Maximum input level: +19 dBu
Input: 6.3 mm TRS jack, electronically balanced
Input impedance @ 1 kHz: 10 kOhm unbalanced, 10.6 kOhm balanced
Input sensitivity switchable between Lo Gain and +4 dBu
Input level for 0 dBFS @ Lo Gain: +19 dBu
Input level for 0 dBFS @ +4 dBu: +13 dBu
Variable digital gain: 0 to +12 dB
Minimum level for 0 dBFS: +1 dBu, -1.2 dBV

Microphone In 9-12, front
As AD, but:

Input: XLR, electronically balanced
Input impedance @ 1 kHz: 3.4 kOhm
Signal to Noise ratio (SNR) @ 0 dB Gain: 117 dB (AES17), 119.5 dBA
THD+N @ -1 dBFS, Gain 20 dB: < -110 dB, < 0.00032 %
Frequency response @ 44.1 kHz, -0.1 dB: 10.7 Hz – 20.3 kHz
Frequency response @ 96 kHz, -0.5 dB: 5.1 Hz – 45.0 kHz
Frequency response @ 192 kHz, -1 dB: 3.5 Hz – 88 kHz
EIN @ 60 dB Gain, 150 Ohm, A-Weighted: -129.8 dBu
Gain range: 75 dB
Maximum input level, Gain 0 dB: +18 dBu
Maximum input level, Gain 75 dB: -57 dBu
CLIP LED: 0 dBFS
SIG LED: -60 dBFS

Instrument In 9-12, front
As AD, but:

Input: 6.3 mm TS jack, unbalanced
Input impedance @ 1 kHz: 1 MOhm
Signal to Noise ratio (SNR): 116 dB (AES17), 118.5 dBA
Frequency response @ 44.1 kHz, -0.5 dB: 2.4 Hz – 20.0 kHz
Frequency response @ 96 kHz, -1 dB: 1.6 Hz – 28 kHz
Frequency response @ 192 kHz, -3 dB: 0.8 Hz – 54 kHz
THD+N @ -1 dBFS, Gain 20 dB: < -107 dB, < 0.00045 %
Gain range: 42 dB
Maximum input level, Gain 8 dB: +21 dBu
Maximum input level, Gain 50 dB: -21 dBu

DA, Line Out 3-8, rear

Output: 6.3 mm TRS jack, servo-balanced
Signal to Noise ratio (SNR) @ HiGain: 116.5 dB (AES17), 118.5 dBA
Signal to Noise ratio (SNR) @ +4 dBu: 116 dB (AES17), 118 dBA
Signal to Noise ratio (SNR) @ -10 dBV: 107 dB (AES17), 109 dBA
Frequency response @ 44.1 kHz, -0.1 dB: 0 Hz – 20.2 kHz
Frequency response @ 96 kHz, -0.5 dB: 0 Hz – 44.6 kHz
Frequency response @ 192 kHz, -1 dB: 0 Hz – 77.5 kHz
THD+N: < -110 dB, < 0.00032 %
Channel separation: > 110 dB
Output level switchable Hi Gain, +4 dBu, -10 dBV
Output level at 0 dBFS @ Hi Gain: +19 dBu
Output level at 0 dBFS @ +4 dBu: +13 dBu
Output level at 0 dBFS @ -10 dBV: +2 dBV (+4.2 dBu)
Output impedance: 75 Ohm

DA - Stereo Monitor Output XLR (1-2)
As DA, but:

Output: XLR, balanced
Output level switchable 24 dBu, Hi Gain, +4 dBu, -10 dBV
Output level at 0 dBFS @ 24 dBu: +24 dBu
Output level at 0 dBFS @ Hi Gain: +19 dBu
Output level at 0 dBFS @ +4 dBu: +13 dBu
Output level at 0 dBFS @ -10 dBV: +2 dBV (+4.2 dBu)
Output impedance: 150 Ohm

DA - Stereo Monitor Output Phones (9-12)
As DA, but:

Output: 2 x 6.3 mm TRS stereo jack, unbalanced
Maximum output level at 0 dBFS, High: +19 dBu
Maximum output level at 0 dBFS, Low: +2 dBV
Max power per channel @ 32 Ohm load, 0.02% THD: 200 mW (2.5 Vrms, +10 dBu)
Signal to Noise ratio (SNR) @ High: 116.5 dB (AES17), 118.5 dBA
Signal to Noise ratio (SNR) @ Low: 115 dB (AES17), 117 dBA
Output impedance: 2 Ohm

MIDI

2 x MIDI I/O via 5-pin DIN jacks
Galvanically isolated by optocoupled input
Hi-speed mode: Jitter and response time typically below 1 ms
Separate 128 byte FIFOs for input and output

2 x MIDI I/O via MADI
Invisible transmission via User bit of channel 56 (up to 48 kHz)
Invisible transmission via User bit of channel 28 (up to 96 kHz)

Digital

Clocks: Internal, ADAT, AES, SPDIF, word clock
Jitter suppression: > 50 dB (> 1 Hz)
Effective clock jitter influence on AD and DA conversion: near zero
PLL ensures zero dropout, even at more than 100 ns jitter
Digital Bitclock PLL for trouble-free varispeed ADAT operation
Supported sample rates: 28 kHz up to 200 kHz

Digital Inputs

MADI

Optical via FDDI duplex SC connector
62.5/125 and 50/125 compatible
Coaxial via BNC (Word Clock input), 75 Ohm
High-sensitivity input stage (< 0.2 Vpp)
Accepts 56 channel and 64 channel mode, plus 96k Frame
Standard: up to 64 channels 24 bit 48 kHz
S/MUX: up to 32 channels 24 bit 96 kHz
S/MUX4: up to 16 channels 24 bit 192 kHz
Lock range: 25 kHz – 54 kHz
Jitter suppression: > 50 dB (> 1 Hz)

AES/EBU

1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992
High-sensitivity input stage (< 0.3 Vpp)
SPDIF compatible (IEC 60958)
Accepts Consumer and Professional format
Lock range: 27 kHz – 200 kHz
Jitter suppression: > 50 dB (> 1 Hz)

ADAT Optical

2 x TOSLINK, format according to Alesis specification
Standard: 8 channels 24 bit, up to 48 kHz
Double Speed (S/MUX): 4 channels 24 bit 96 kHz
Quad Speed (S/MUX4): 2 channels 24 bit 192 kHz
Bitclock PLL ensures perfect synchronisation even in varispeed operation
Lock range: 31.5 kHz – 50 kHz
Jitter suppression: > 50 dB (> 1 Hz)

SPDIF optical (ADAT 2)

1 x optical, according to IEC 60958
Accepts Consumer and Professional format
Lock range: 27 kHz – 200 kHz
Jitter suppression: > 50 dB (> 1 Hz)

Word Clock

BNC
Internal termination 75 Ohm switchable
Automatic Double/Quad Speed detection and internal conversion to Single Speed
SteadyClock guarantees super low jitter synchronization even in varispeed operation
Not affected by DC-offsets within the network
Signal Adaptation Circuit: signal refresh through auto-center and hysteresis
Overvoltage protection
Level range: 1.0 Vpp – 5.6 Vpp
Lock Range: 27 kHz – 200 kHz
Jitter suppression: > 50 dB (> 1 Hz)

Digital Outputs

MADI

Optical via FDDI duplex SC connector
62.5/125 and 50/125 compatible
Coaxial via BNC (Word Clock input), 75 Ohm
High-sensitivity input stage (< 0.2 Vpp)
Accepts 56 channel and 64 channel mode, plus 96k Frame
Standard: up to 64 channels 24 bit 48 kHz
S/MUX: up to 32 channels 24 bit 96 kHz
S/MUX4: up to 16 channels 24 bit 192 kHz
Lock range: 25 kHz – 54 kHz
Jitter suppression: > 50 dB (> 1 Hz)

AES/EBU

XLR, transformer-balanced, galvanically isolated, according to AES3-1992
Output level Professional 4.5 Vpp, Consumer 2.6 Vpp
Format Professional according to AES3-1992 Amendment 4
Format Consumer (SPDIF) according to IEC 60958
Single Wire mode, sample rate 28 kHz up to 200 kHz

ADAT

1 x TOSLINK, format according to Alesis specification
Standard: 8 channels 24 bit, up to 48 kHz
Double Speed (S/MUX): 4 channels 24 bit 96 kHz
Quad Speed (S/MUX4): 2 channels 24 bit 192 kHz

SPDIF optical (ADAT 2)

1 x optical, according to IEC 60958
Accepts Consumer and Professional format
Lock range: 27 kHz – 200 kHz
Jitter suppression: > 50 dB (> 1 Hz)

Word Clock

BNC
Max. output voltage: 5 Vpp
Output voltage @ 75 Ohm termination: 4.0 Vpp
Output impedance: 10 Ohm
Frequency range: 27 kHz – 200 kHz

General

Power supply: Internal switching PSU, 100 - 240 V AC, 36 Watts
Idle power consumption: 19 Watts
Typical power consumption: 22-25 Watts
Dimensions including rack ears (WxHxD): 483 x 44 x 210 mm (19" x 1.73" x 8.5")
Dimensions without rack ears (WxHxD): 440 x 44 x 210 mm (17.3" x 1.73" x 8.3")
Total depth: 240 mm (9.4”)
Weight: 3 kg ( 6.6 lbs)
Temperature range: +5° up to +50° Celsius (41° F up to 122°F)
Relative humidity: < 75%, non condensing

Specifikationer

Läs mer hos tillverkaren	https://www.rme-audio.de/fireface-ufx-3.html

Namn

Din e-post

Förfrågan

Analog

AD, Line In 1-8, rear

Input: 6.3 mm TRS, electronically balanced
Signal to Noise ratio (SNR) @ LoGain: 116 dB (AES17), 118 dBA
Signal to Noise ratio (SNR) @ +4 dBu: 115 dB (AES17), 117 dBA
Frequency response @ 44.1 kHz, -0.1 dB: 8.9 Hz – 20.4 kHz
Frequency response @ 96 kHz, -0.5 dB: 4.3 Hz – 45.2 kHz
Frequency response @ 192 kHz, -1 dB: 3 Hz – 89 kHz
Filter: Short Delay Sharp, 5 / 5 / 6 samples delay
THD @ -1 dBFS: < -120 dB, < 0.0001 %
THD+N @ -1 dBFS: < -110 dB, < 0.00032 %
Channel separation: > 110 dB
Maximum input level: +19 dBu
Input: 6.3 mm TRS jack, electronically balanced
Input impedance @ 1 kHz: 10 kOhm unbalanced, 10.6 kOhm balanced
Input sensitivity switchable between Lo Gain and +4 dBu
Input level for 0 dBFS @ Lo Gain: +19 dBu
Input level for 0 dBFS @ +4 dBu: +13 dBu
Variable digital gain: 0 to +12 dB
Minimum level for 0 dBFS: +1 dBu, -1.2 dBV

Microphone In 9-12, front
As AD, but:

Input: XLR, electronically balanced
Input impedance @ 1 kHz: 3.4 kOhm
Signal to Noise ratio (SNR) @ 0 dB Gain: 117 dB (AES17), 119.5 dBA
THD+N @ -1 dBFS, Gain 20 dB: < -110 dB, < 0.00032 %
Frequency response @ 44.1 kHz, -0.1 dB: 10.7 Hz – 20.3 kHz
Frequency response @ 96 kHz, -0.5 dB: 5.1 Hz – 45.0 kHz
Frequency response @ 192 kHz, -1 dB: 3.5 Hz – 88 kHz
EIN @ 60 dB Gain, 150 Ohm, A-Weighted: -129.8 dBu
Gain range: 75 dB
Maximum input level, Gain 0 dB: +18 dBu
Maximum input level, Gain 75 dB: -57 dBu
CLIP LED: 0 dBFS
SIG LED: -60 dBFS

Instrument In 9-12, front
As AD, but:

Input: 6.3 mm TS jack, unbalanced
Input impedance @ 1 kHz: 1 MOhm
Signal to Noise ratio (SNR): 116 dB (AES17), 118.5 dBA
Frequency response @ 44.1 kHz, -0.5 dB: 2.4 Hz – 20.0 kHz
Frequency response @ 96 kHz, -1 dB: 1.6 Hz – 28 kHz
Frequency response @ 192 kHz, -3 dB: 0.8 Hz – 54 kHz
THD+N @ -1 dBFS, Gain 20 dB: < -107 dB, < 0.00045 %
Gain range: 42 dB
Maximum input level, Gain 8 dB: +21 dBu
Maximum input level, Gain 50 dB: -21 dBu

DA, Line Out 3-8, rear

Output: 6.3 mm TRS jack, servo-balanced
Signal to Noise ratio (SNR) @ HiGain: 116.5 dB (AES17), 118.5 dBA
Signal to Noise ratio (SNR) @ +4 dBu: 116 dB (AES17), 118 dBA
Signal to Noise ratio (SNR) @ -10 dBV: 107 dB (AES17), 109 dBA
Frequency response @ 44.1 kHz, -0.1 dB: 0 Hz – 20.2 kHz
Frequency response @ 96 kHz, -0.5 dB: 0 Hz – 44.6 kHz
Frequency response @ 192 kHz, -1 dB: 0 Hz – 77.5 kHz
THD+N: < -110 dB, < 0.00032 %
Channel separation: > 110 dB
Output level switchable Hi Gain, +4 dBu, -10 dBV
Output level at 0 dBFS @ Hi Gain: +19 dBu
Output level at 0 dBFS @ +4 dBu: +13 dBu
Output level at 0 dBFS @ -10 dBV: +2 dBV (+4.2 dBu)
Output impedance: 75 Ohm

DA - Stereo Monitor Output XLR (1-2)
As DA, but:

Output: XLR, balanced
Output level switchable 24 dBu, Hi Gain, +4 dBu, -10 dBV
Output level at 0 dBFS @ 24 dBu: +24 dBu
Output level at 0 dBFS @ Hi Gain: +19 dBu
Output level at 0 dBFS @ +4 dBu: +13 dBu
Output level at 0 dBFS @ -10 dBV: +2 dBV (+4.2 dBu)
Output impedance: 150 Ohm

DA - Stereo Monitor Output Phones (9-12)
As DA, but:

Output: 2 x 6.3 mm TRS stereo jack, unbalanced
Maximum output level at 0 dBFS, High: +19 dBu
Maximum output level at 0 dBFS, Low: +2 dBV
Max power per channel @ 32 Ohm load, 0.02% THD: 200 mW (2.5 Vrms, +10 dBu)
Signal to Noise ratio (SNR) @ High: 116.5 dB (AES17), 118.5 dBA
Signal to Noise ratio (SNR) @ Low: 115 dB (AES17), 117 dBA
Output impedance: 2 Ohm

MIDI

2 x MIDI I/O via 5-pin DIN jacks
Galvanically isolated by optocoupled input
Hi-speed mode: Jitter and response time typically below 1 ms
Separate 128 byte FIFOs for input and output

2 x MIDI I/O via MADI
Invisible transmission via User bit of channel 56 (up to 48 kHz)
Invisible transmission via User bit of channel 28 (up to 96 kHz)

Digital

Clocks: Internal, ADAT, AES, SPDIF, word clock
Jitter suppression: > 50 dB (> 1 Hz)
Effective clock jitter influence on AD and DA conversion: near zero
PLL ensures zero dropout, even at more than 100 ns jitter
Digital Bitclock PLL for trouble-free varispeed ADAT operation
Supported sample rates: 28 kHz up to 200 kHz

Digital Inputs

MADI

Optical via FDDI duplex SC connector
62.5/125 and 50/125 compatible
Coaxial via BNC (Word Clock input), 75 Ohm
High-sensitivity input stage (< 0.2 Vpp)
Accepts 56 channel and 64 channel mode, plus 96k Frame
Standard: up to 64 channels 24 bit 48 kHz
S/MUX: up to 32 channels 24 bit 96 kHz
S/MUX4: up to 16 channels 24 bit 192 kHz
Lock range: 25 kHz – 54 kHz
Jitter suppression: > 50 dB (> 1 Hz)

AES/EBU

1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992
High-sensitivity input stage (< 0.3 Vpp)
SPDIF compatible (IEC 60958)
Accepts Consumer and Professional format
Lock range: 27 kHz – 200 kHz
Jitter suppression: > 50 dB (> 1 Hz)

ADAT Optical

2 x TOSLINK, format according to Alesis specification
Standard: 8 channels 24 bit, up to 48 kHz
Double Speed (S/MUX): 4 channels 24 bit 96 kHz
Quad Speed (S/MUX4): 2 channels 24 bit 192 kHz
Bitclock PLL ensures perfect synchronisation even in varispeed operation
Lock range: 31.5 kHz – 50 kHz
Jitter suppression: > 50 dB (> 1 Hz)

SPDIF optical (ADAT 2)

1 x optical, according to IEC 60958
Accepts Consumer and Professional format
Lock range: 27 kHz – 200 kHz
Jitter suppression: > 50 dB (> 1 Hz)

Word Clock

BNC
Internal termination 75 Ohm switchable
Automatic Double/Quad Speed detection and internal conversion to Single Speed
SteadyClock guarantees super low jitter synchronization even in varispeed operation
Not affected by DC-offsets within the network
Signal Adaptation Circuit: signal refresh through auto-center and hysteresis
Overvoltage protection
Level range: 1.0 Vpp – 5.6 Vpp
Lock Range: 27 kHz – 200 kHz
Jitter suppression: > 50 dB (> 1 Hz)

Digital Outputs

MADI

Optical via FDDI duplex SC connector
62.5/125 and 50/125 compatible
Coaxial via BNC (Word Clock input), 75 Ohm
High-sensitivity input stage (< 0.2 Vpp)
Accepts 56 channel and 64 channel mode, plus 96k Frame
Standard: up to 64 channels 24 bit 48 kHz
S/MUX: up to 32 channels 24 bit 96 kHz
S/MUX4: up to 16 channels 24 bit 192 kHz
Lock range: 25 kHz – 54 kHz
Jitter suppression: > 50 dB (> 1 Hz)

AES/EBU

XLR, transformer-balanced, galvanically isolated, according to AES3-1992
Output level Professional 4.5 Vpp, Consumer 2.6 Vpp
Format Professional according to AES3-1992 Amendment 4
Format Consumer (SPDIF) according to IEC 60958
Single Wire mode, sample rate 28 kHz up to 200 kHz

ADAT

1 x TOSLINK, format according to Alesis specification
Standard: 8 channels 24 bit, up to 48 kHz
Double Speed (S/MUX): 4 channels 24 bit 96 kHz
Quad Speed (S/MUX4): 2 channels 24 bit 192 kHz

SPDIF optical (ADAT 2)

1 x optical, according to IEC 60958
Accepts Consumer and Professional format
Lock range: 27 kHz – 200 kHz
Jitter suppression: > 50 dB (> 1 Hz)

Word Clock

BNC
Max. output voltage: 5 Vpp
Output voltage @ 75 Ohm termination: 4.0 Vpp
Output impedance: 10 Ohm
Frequency range: 27 kHz – 200 kHz

General

Power supply: Internal switching PSU, 100 - 240 V AC, 36 Watts
Idle power consumption: 19 Watts
Typical power consumption: 22-25 Watts
Dimensions including rack ears (WxHxD): 483 x 44 x 210 mm (19" x 1.73" x 8.5")
Dimensions without rack ears (WxHxD): 440 x 44 x 210 mm (17.3" x 1.73" x 8.3")
Total depth: 240 mm (9.4”)
Weight: 3 kg ( 6.6 lbs)
Temperature range: +5° up to +50° Celsius (41° F up to 122°F)
Relative humidity: < 75%, non condensing

Specifikationer

Läs mer hos tillverkaren	https://www.rme-audio.de/fireface-ufx-3.html

FAQ – Ljudkort (Audio Interface)

Vad är ett ljudkort?

Ett ljudkort (audio interface) är en enhet som kopplar dina instrument, mikrofoner och hörlurar till datorn och omvandlar ljud till digitalt format för inspelning och produktion.

Varför behöver man ett externt ljudkort?

Ett externt ljudkort ger:

Bättre ljudkvalitet än datorns inbyggda ljudkort
Lägre latency (fördröjning)
Möjlighet att koppla in mikrofoner och instrument

Perfekt för musikproduktion, streaming och podcast.

Vad ska man tänka på när man väljer ljudkort?

Antal in- och utgångar
Ljudkvalitet (bitdjup och samplingsfrekvens)
Latency/prestanda
Kompatibilitet (Mac/Windows/iOS)
Portabilitet (USB vs rackmonterat)

Hur många ingångar behöver man?

1–2 ingångar → soloartist, podcast
2–4 ingångar → singer/songwriter, små studios
8+ ingångar → bandinspelning

Välj efter hur många källor du vill spela in samtidigt.

Vad är latency och varför är det viktigt?

Latency är fördröjningen mellan att du spelar och hör ljudet.
Ett bra ljudkort har låg latency, vilket är avgörande vid inspelning och live-monitoring.

Vad är skillnaden mellan billiga och dyra ljudkort?

Billiga ljudkort: enklare preamps, färre in/utgångar
Dyrare ljudkort: bättre ljudkvalitet, stabilare drivrutiner, fler anslutningar och funktioner

Dyrare modeller passar bättre för professionell inspelning.

Behöver man phantom power?

Ja, om du använder kondensatormikrofon.
Phantom power (48V) driver mikrofonen via ljudkortet.

Kan man spela in gitarr direkt i ett ljudkort?

Ja, de flesta ljudkort har Hi-Z-ingångar som är anpassade för gitarr och bas.

USB, Thunderbolt eller annat – vad ska man välja?

USB: vanligast, fungerar med nästan alla datorer
Thunderbolt: snabbare och lägre latency (pro-nivå)
USB-C: modern standard med bra prestanda

Kan man använda ljudkort till mobil eller surfplatta?

Ja, många moderna ljudkort fungerar med iOS och Android, men kontrollera kompatibiliteten innan köp.

Är ett ljudkort viktigt för hemmastudio?

Ja, det är en av de viktigaste delarna. Ett bra ljudkort förbättrar både inspelningskvalitet och arbetsflöde.

Vad är skillnaden mellan ljudkort och mixer?

Ljudkort: för inspelning till dator
Mixer: för att mixa ljud live

Vissa enheter kombinerar båda funktionerna.

Kontakta Oss

Viktor Rydbergsgatan 40, 352 46 Växjö
info@musikcentralen.se
0470 - 255 40
Öppettider:

Måndag-Fredag 11-18

Lördag 10-14

Söndag STÄNGT

Frågor om produkten?

RME Fireface UFX III

Frågor om produkten?

Analog

MIDI

Digital

Digital Inputs

Digital Outputs

General

Analog

MIDI

Digital

Digital Inputs

Digital Outputs

General

FAQ – Ljudkort (Audio Interface)

Vad är ett ljudkort?

Varför behöver man ett externt ljudkort?

Vad ska man tänka på när man väljer ljudkort?

Hur många ingångar behöver man?

Vad är latency och varför är det viktigt?

Vad är skillnaden mellan billiga och dyra ljudkort?

Behöver man phantom power?

Kan man spela in gitarr direkt i ett ljudkort?

USB, Thunderbolt eller annat – vad ska man välja?

Kan man använda ljudkort till mobil eller surfplatta?

Är ett ljudkort viktigt för hemmastudio?

Vad är skillnaden mellan ljudkort och mixer?